So here are a few CBR reviews I didn’t link to from last week and this week. Enjoy!
“Jason Aaron and Nick Bradshaw’s “Wolverine & The X-Men” #6 continues this excellent series with the same high energy and confident storytelling we’ve seen in the first five issues. Aaron has made his book an action packed and wild ride never skimping on character development. He does more with character in a few lines than most writers can do in pages. It’s a deft skill to never sacrifice character development for plot while simultaneously never sacrificing plot for character development…”
“B.P.R.D. Hell On Earth: The Long Death” #1 by Mike Mignola, John Arcudi and James Harren kicks off another fantastic mini-series with a story focused on Agent Johann Kraus. Like all Mignola’s excellent books in the Hellboy universe, “The Long Death” stands nicely on its own for both veterans and new readers, making it a powerful beginning to a must-read mini…”
“Winter Soldier” #2 by Ed Brubaker and Butch Guice is a wonderful noir espionage mix with a breakneck pace. It’s a story playing to both Brubaker and Guice’s strengths as writer and artist and the result is an exciting new book for Marvel. Brubaker is at his best in this issue with effortlessly cool dark and dirty spy capers. James and Natasha fit the roles of espionage agents perfectly and Brubaker has a great handle on both their voices. The premise for the book plays to both Brubaker’s and his characters’ strengths and the concept is firing on all cylinders…”
“Birds of Prey” #6 by Duane Swierczynski and Javier Pina is a good comic book but a step down from what we’ve seen for the past five issues. It’s unfortunately timed, as this issue seems like the penultimate issue of the first arc. Swierczynski’s “Birds of Prey” has been a rollicking ride full of jumps forward and backward in time, tons of mystery, action and a beautiful amount of character development — including the introduction of a fantastic new hero in Starling. Unfortunately, this issue feels like a misstep as too much of the mystery is unloaded through info-dump talking heads. It’s never ideal from a storytelling point of view and feels completely counter to everything Swierczynski has done thus far…”