Been just swamped over here, folks, but wanted to link to the last two weeks of CBR Reviews.
“Faith Erin Hicks’ “Friends With Boys” is her best work to date, an engaging beautifully illustrated black and white coming of age story about a girl going to her first year of public school after years of home schooling and the recent disappearance of her mother. Hicks story is surprisingly bold. While on the surface it’s a simple story of a girl named Maggie, her three older brothers and their strange family situation (her mother has just left them), there’s a bizarre supernatural element that pays off in unexpected ways…”
“Fairest,” Bill Willingham’s latest “Fables” spinoff series with art by Phil Jimenez promises a lot of beautiful ladies with its title and Adam Hughes cover, but what you’ll find inside is a bit surprising. While the title and the cover suggest this issue will be focused on Briar Rose, we spend most of the issue meeting Ali Baba (Prince of Theives) and his non-genie of the lamp, Jonah…”
“Although “Green Wake” #10 unfortunately brings the series to a close, Kurtis Wiebe does an excellent job of making it feel as if this was his plan all along. Morley gets to the heart of Green Wake quite literally in this final issue and makes a risky decision with ramifications for all the citizens of Green Wake, past, present and future. Wiebe has a very specific vision for “Green Wake” and you can feel his uncompromising devotion to it as his tale draws to its conclusion. He unravels his mysteries nicely but rarely says anything outright — both a strength and a weakness…”
“Grace Randolph and Russell Dauterman’s “Supurbia” #1 is very interesting. It’s hard to know if it can deliver on all its promise, but this first issue is a bizarrely intriguing blend of traditional superhero comics and “The Stepford Wives,” with a dash of “The Real Housewives” series from Bravo thrown in for modern flavor. Randolph’s idea is lots of fun, focusing on the “women behind the supermen.” If they were less interesting women it could have been a disaster, but Randolph chooses her cast well, which helps to offset the idea that these women (and one man) are not the actual superheroes of the story, even if they are the stars…”
“Christos Gage and Karl Moline wrestle with a massive roster of characters as the entire “Runaways” cast guest stars in “Avengers Academy” #27. Looking for help locating Old Lace, their lost dinosaur, The Runaways come knocking at Avengers Academy and quite naturally get into a fight. The fighting scene is expected; given superheroes too frequently default to fists first to settle disagreements. Plus, The Runaways have been treated poorly by the superhero community in the past and the Avengers Academy students aren’t the most level-headed group out there…”
“Angel & Faith” #7 is the first issue of the series that hasn’t really hit the mark for me. It’s still a solid book, but it’s just not ringing true enough to give it the emotional punch of the first arc. Christos Gage has a good handle on both Angel and Faith’s voices and personalities, enough so it was clear to readers something was going on with Angel’s personality and that continues here. However, on the plotting front this feels a bit weak. The second installment of this new arc, titled “Daddy Issues” is set up to parallel both Angel and Faith’s relationships to or as fathers…”
“Avengers” #23 is not a bad comic book, but given the stakes and the players on the field it should be so much more. In this issue, The Avengers attempt to escape the clutches of Norman Osborne’s H.A.M.M.E.R. while Viper negotiates with the U.S. Government, using the kidnapped Avengers as their bargaining chip. Brian Michael Bendis finds some great funny moments for his characters in this issue, the kind of good chuckles that make comics fun. Unfortunately, beyond those funny moments and a decent escape scene toward the end, there is so much missed opportunity and the issue is ultimately disappointing…”
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