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A new She Has No Head! – about Joss Whedon’s first comics foray into the Buffyverse, with FRAY. 

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So I stumbled across this awesome post about the White Swan/Black Swan game months ago (January?) thanks to my beloved Jezebel, and bookmarked it because I enjoyed it so much.  In cleaning up my bookmarks today, I ran across it and chuckled all over again.

I’ve decided to share it mostly because I wanted to do my own “White Swan/Black Swan” pairing, thanks to a recent random rekindling of my longtime love (or obsession, whatever!) of Buffy The Vampire Slayer.

But enough talk..!

Also, because it’s maybe the hottest 7 seconds of television I’ve ever seen, here you go…

[youtube http://www.youtube.com/watch?v=yAnuhQ55O1E?rel=0&w=480&h=390]

Source

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Artwork by Zugma

The “hot topic” section in my new 3 Chicks Review Comics podcast with Sue of DC Women Kicking Ass and Maddy of When Fangirls Attack! was about a Buffy film remake sans Joss Whedon, and tangentially the lack of a Wonder Woman film.  Sue made an excellent point that perhaps Hollywood didn’t care much for the existing fan base and was simply trying to capture the “Twilight” audience with a Buffy remake, and I think she’s right.  But reading this piece from the LA Times, confirms my suspicions that Hollywood is totally deluded about the Buffy fanbase that exists and what it wants.

This quote by Charles Roven (a producer involved with Batman Begins) is so misinformed and ignorant about the Buffy fanbase that it’s hard to have confidence in anyone involved: “There is an active fan base eagerly awaiting this character’s return…”

Um. No. There IS an active fan base, but it’s in love with a character and world created by Joss Whedon (and his devoted team of actors, writers, and producers) and that character and world WILL NOT be reproduced in a re-vamped movie.  Anyone remotely interested in this, please keep in mind that as I understand it nothing you love of the television show: Willow, Xander, Anya, Oz, Angel, Spike, Wesley, Riley, Cordelia – even Giles will exist in this remake.  Those are creations of the television show, not the film – the film has no rights to those characters. Buffy and the slayer concept is the sole hold over from the movie to the television show (everything from the city Buffy lives in, to her Watcher is different), and Buffy and the slayer concept sound as if they will be the sole hold over to the new film.  And I think most of us agree, that as much as we love Buffy, that she’s not much without those other characters.

Is it possible that new writer will be able to come in and build a great new supporting cast and storyline around a retooled Buffy?  Sure.  But in order for it to be good and not feel like a complete rip off of the television show it’s going to have to be so different from the original…that I’m not sure why WB is bothering?  Why not just come up with something NEW?  If Ms. Whit Anderson has such a fresh interesting take on these things, why not just let her create something new…is that so unfathomable?  Why try to co-opt something fans love and want preserved respectfully in its original form and via its original creators instead of just creating something NEW to capture those young “Twilight fans”?  There are infinite vampire stories to be told – some of them are even good – why not go there instead of disrespecting something that already owns its place in the world.

I also have to say, as a writer who, like Ms. Anderson, grew up on Buffy (and based on the article she clearly proclaims a loves and respects for Buffy), I would NEVER deign to even touch Buffy without Joss Whedon’s okay.  And I find it a little hard to believe that Ms. Anderson respects and loves the material as she purports but is also more than willing to go against Whedon’s wishes and do this remake that shuts out all original creators.  There’s an argument to be made that if Anderson doesn’t do it someone else will…and that’s totally valid, and is probably just one more reason why I’m not crazy successful and rich.  Doing the right thing…it doesn’t usually make you rich, what can I say?

Anyway, if you have any doubts about the fan base Warner Brothers…take a look at the comments on the LA Times piece…332 and counting, and they swing wildly toward the negative.

I for one, don’t believe in Buffy without Joss (and maybe not Joss without Buffy? Whoa…just blew my own mind) and will be boycotting for sure.  And probably talking about it…a lot.  Prepare yourselves.

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Pushing Daisies has been canceled.

Well, no new episodes have been ordered, which is basically pussy network code for canceled. This is one of those times when you remember that Hollywood totally blows…oh wait, that’s all the time. Damnit! A great show.

I always feared it was too quirky and quite frankly too GOOD to survive on television (it should have been on HBO perhaps) but the fact that it was renewed last year gave me hope. Silly me to try and hope, why do I never learn? I think in this case the writers strike really did hurt Pushing Daises – it had such a tenuous grasp on a small quirky intelligent audience…and people forget quickly these days. I have to admit that I was not as enamored of PD this year as I was last, but I still watched, and it still remained one of the smartest shows on TV…also, ironically, one of the most upbeat…and who doesn’t need upbeat these days?! C’mon!

There’s talk of the show finishing as a comic book, but I think we all know how fulfilled that will leave the majority…hardly the same number of people read comics that watch TV…and that’s just part of the problem. The Buffy “season eight” comic book series works well – largely because Joss Whedon knows his comic books and is heavily involved…also, while the Buffy universe is an always continuing growing and changing universe, we were not left on a cliffhanger with the actual series end on TV, the way Pushing Daisies supposedly will. So having a “season eight” in comic books was not absolutely necessary, but rather a decadant way for fans to let the show live on long beyond when any actors etc. would want to stay involved. Angel also has an ongoing comic based off the show, and it is less successful in my opinion. There is the cliffhanger aspect the show was left on, which is pretty difficult to live up to in comics, and also just the handling of the book has been complicated and difficult to follow, as the show was in certain seasons as well. I also think, all due respect, that there’s not quite as much talent in the room on the Angel books as with the Buffy book. That said, I’m still reading the shit, so it can’t be that bad.

Would I read a Pushing Daises comic? Maybe. Probably, but only if I was already at the comic shop. If I was the average fan there’s no way I’m heading into comic stores (unknown territory for many people) to find out about an ending to a show that is pretty much guaranteed to be a let down. Then again, maybe this “we’ll finish it in a comic book” revolutionizes the industry and brings thousands (hundreds of thousands!?) of new fans to the comic book industry…a girl can hope. Wait…wasn’t I just saying something about hope a little while ago…? Hmmm…I forget. Oh well.

Yea!

You can read about Joss Whedon’s new project Dollhouse with Eliza Dushku here and here. Let me say again, YEA!

Perhaps I am just overly hopeful since this season’s television, including favorites of mine from last year have been so terrible, but I’m excited about the idea of having some creative Joss Whedon ideas and dialogue on the small screen. I have minor concerns that I may have outgrown Joss’ style, in that though I still love my Buffy I’m forced to admit that I can’t be sure I would be as obsessed with it today as I was then. However, his work on the Buffy comic is current and great and totally enjoyed by me, and as mentioned earlier here, his Astonishing X-Men (also current) is totally brilliant. So okay, I’ve decided I’m excited no matter what. Yea next year! Boo to this year!

On a related sidenote, NBC is scrapping the Heroes Orgins show that was set to air in the spring, during the Heroes regular season hiatus. The official word is that it’s because of the writer’s strike issues, but I suspect it’s more because Heroes currently stinks to high heaven and who wants a spin-off of stinkage.

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