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waterbaby

Water Baby.  Ross Campbell (writer/artist).  Fiction – Graphic Novel/Comics

I loved the hell out of this little book.  Campbell’s art is stunningly beautiful and I wish more artists – men or women – could draw women this way.  They are scantily clad for most of the book (okay, ALL of the book) but it fit the young surfing beaching characters and any concerns I would have otherwise had about it were put to rest by the fact that Campbell not only draws all his women with vastly different body types (as they exist in the real world – gasp!) but also, none of his female characters are window dressing in the first place – they’re the stars.  They’re the characters you love and spend the most time with.  So if they want to wear tank tops and tiny jean shorts and bikinis and such (and it fits their characters – which it does) then I’m on board.

Beyond the art, the writing is solid.  The story is a great (and horrifying) little tale about Brody our badass female main character, a surfer that loses a leg early on in a shark attack.

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Brody’s best friend Louisa takes care of the newly shaped Brody and when Brody’s ex Jake shows up it sends them on a road trip adventure that includes a troublesome teen they pick up on the road.  The basic story is enjoyable, but it’s Brody’s internal struggle that is so fascinating and well handled here – her nightmares and fantasies of her attack are disturbing and profound and speak volumes in mostly silent panels about what a struggle it must be to recover from such an accident…and that maybe you never really do.

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Overall Brody is a fantastic hero – or maybe anti-hero – she’s strong willed and smart (though no rocket  scientist) she knows who she wants to be and isn’t afraid of it.  She tackles her problems as head on as she’s able and she seems to understand that she’s still figuring herself out – a measure of self awareness rare in the young.  I could have done without the gross factor (she picks her nose – though not too graphically) but otherwise I loved her.  Full of flaws and beauty, as we all are.  Louisa is similarly well-rendered, and is both alike and different than Brody in the ways that best friends usually are.  Jake is a bit of a sketch instead of a full blown painting, but as he’s not the star, or of too much importance I think he’s characterized just enough.

So here’s my confession.

This is a book from the now defunct DC Minx line intended for girls/women.  And I’m a jerk for not getting on board sooner and if not supporting these books, than at least checking them out.  I did look at the line when it first came out and like many fans (female and male alike) I found the first few books a bit lacking and I didn’t like some of the stuff I was hearing about the line.  First of all, it’s called Minx, which is annoying, and just (maybe) one step above Divas or Sirens, but as usual I can forgive the title if that’s the only place they go wrong.  But unfortunately, almost all of the creators (writers/artists/editors/etc.) were men, which is doubly annoying.  It’s not that men can’t write women well (case in point Ross Campbell, or my post earlier about Brian K. Vaughan) but it just stands to reason that if you want to start an entire imprint FOR girls/women you might want to get some amazing talented WOMEN involved.

Anyway, my complaints are valid, and I really didn’t like some of the stuff I originally saw come out for Minx, but if Minx could bring us Water Baby (a title that would likely be impossible to get published with any of the major houses – other than maybe DC’s Vertigo line) then I have to say I’m wrong.  And I wish I had gotten involved in this line (not that I’m some prolific blogger that changes the shape of the world or anything) earlier.  To at least throw my opinion out there, even if initially it couldn’t have been full blown support.  Another missed opportunity for the big publishing houses, gods know how long it will be before we get another shot.

4.0 Stars

If you want to check out more Water Baby, go to the Vulture Blog which has a large excerpt from the book.

Possibly.

But there’s a really really good reason for it.  Sorta.  I somehow missed the boat initially when the issues were coming out, even though I’d heard about it and was interested all along.  And then I missed enough issues that it was going to be difficult to catch up…without missing issues and having holes.  So I figured I’d wait until they came out all collected and I could read them in one sitting (which is my favorite way to read a great series anyway).  But the shit was taking WAY too long.  So here we are.

I finally got my hands on the first two big collected volumes a few weeks ago and plowed through them in a day.  Amazing stuff.  And then, unable to wait for however long it might take for everything else to come out, I hunted down the rest of the issues and read everything else in a couple days.

Amazing stuff.

y-the_last_man

Y The Last Man.  Brian K. Vaughan (writer), Pia Guerra (illustrator). Fiction – Graphic Novel/Comics.

[SPOILERS]

So for anyone who doesn’t know, Y The Last Man is essentially about Yorick, the last man on earth (along with his monkey – Ampersand – also male) after something kills all the men on the planet except him (er…them).

Yorick is a wonderfully layered character and he is surrounded by fascinating women, of all kinds, which is so refreshing to see in popular comics that I just don’t really have words to describe how happy it made me.  Vaughan’s world is filled with women that are good and bad and beautiful and ugly and horrifying and badass and brilliant, they are all of these things, because women ARE all of these thing, rather than just “sexy” as they so often get boiled down to in comics.  And Vaughan has established himself, at least in my mind, as being a writer that can write the hell out of women.  He gets it and I would welcome his take on any number of things I love any day.  It’s interesting to know that one of his other wildly successful projects, Runaways, also stars a mostly female cast.  Interesting.

Y The Last Man takes place over sixty issues, and one of the great strengths is that artist Pia Guerra is always there – so the art is always consistent and it’s fair to say, consistently gorgeous.  Guerra is a master and it’s such a treat to be able to see an entire series collected together with no deviation in the art.  Even in the best of circumstances an artist is rarely able to do every single issue of the series, so this is a real treat.

Guerra’s style matches Vaughan’s writing perfectly, and the result is one of those perfect books we rarely get to see in comics.

y the last man cover

My only complaint, and it’s a mild one, is the ending.  Like many fans of the story, I really did want a satisfying “answer” for what caused the plague.  I understand why Vaughan doesn’t give it to us – life – real life – is rarely that simple and spelled out and so it’s realistic for him to suggest possible answers but not say for sure, but so much time is spent on it over the 60-issues that I couldn’t help but feel disappointed and maybe a little cheated not to get a real resolution.  It felt a little like he’d possibly written himself into a hole he wasn’t sure how to escape from.  Regardless, the story in its entirety will remain a benchmark in graphic novels/comics for years to come and has solidified Vaughan’s status in my mind as both a sensational writer and also one of the few men out there who write women as well as women themselves do.

4.5 Stars

Also, if you want more information on Y The Last Man (though beware of spoilers) the wikipedia page is really detailed about the series – very nice. 

fun-home-cover

Fun Home: A Family Tragicomic.  By Alison Bechdel.

Years ago I was writing and drawing a graphic novel that is fiction, but is based loosely on a relationship I endured when I was 25.  I still hope one day to return to it and publish it, and I also hope that it has benefited from sitting on a shelf for five or six years, as with time (and maturity) I have found flaws in the way I chose to tell the story that I wouldn’t have been able to see at 25.  I think it is a love of that shelved project that sent me running to Alison Bechdel’s book Fun Home the second I learned about it.  Let’s not dwell on the fact that I should have known about the book at least a year earlier, and instead focus on the positive…I found out about it and went to buy it that same day, and then read it that same evening, cover to cover.

It’s a wonderful book and I have to commend Bechdel for being so unflinchingly honest in relaying her story.  I think in a graphic novel it’s even more difficult to be honest than in a prose memoir, because it’s not just words, but also pictures, which speak so loudly on their own.  And yet Bechdel is not only brutally frank in her portrayal of herself (hard enough to be non-biased as it is), but also of her relationship with her father, and her father himself, which is no small task, especially considering that her father died, likely a suicide.  I doubt I’ll ever be capable of such honesty in storytelling, but I’m always going to aim for it, and I think I’ll start using Bechdel as my benchmark.

First let’s talk about the art, which is sublime.  Check out this panel (from one of my favorite pages in the entire book) in which you get everything so clearly – who Bechdel is (was), who her father is, how their relationship works…all in the space of a single panel.  AND it’s funny.  Beautiful stuff. I can’t get over her perfect expression while dusting that frustrating chair.  This is the expression of dusting children everywhere.

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Beyond the artistic achievement of Fun Home, it is also well written, though it’s less about beautiful language than it is about memory and reality and the rawness of all that comes with that. Bechdel is served well by the diaries of her youth, which are shocking in retrospect and so insightful about all that was happening to and around her as a child.  It’s a fascinating study of youth and relationships.

From a strictly shallow standpoint, the arc of Bechdel’s story has some slow points where the story really drags compared to the piece overall, which generally moves smoothly and quickly.  It’s a challenging story to tell in one piece as there are many elements from childhood through adulthood to address, most of which relate directly to her father, but some of which are tied more loosely to her father and require a bit of a stretch in her formatting of the story.

I’m not sure it’s a failing so much with Bechdel’s narrative as it is a failing of me as a reader, being the impatient video game playing generation that I am I became frustrated looking for the “resolution”.  Of course in reality, which Bechdel is very clearly dealing with here, life is rarely so “resolution-y”, and so I have trouble blaming her narrative.  I think in the end, whether a few areas dragged and took me off path or not, Bechdel was honest with the material, telling it in the most genuine way she could, a massive undertaking of which I think she is wildly successful.

4.5 Stars

Sometimes it’s good to be wrong.

It’s really late notice, but if you happen to live in Utah now’s your big chance to see Anis Mojgani perform.  It’s well worth the time I assure you.

Here are the details, or…just use these:

Friday, March 20, 7:30pm

Utah State University
Taggart Student Center Ballroom
Logan, Utah 84321

Tickets are $5 in advance, $7 at the door

Note: Please Utah and people of Utah, take no offense.  All is said in love.  I lived in Utah for years, and my family all still live there.  But trust me Utah, you usually don’t get things as awesome as Anis Mojgani.

all-the-girls

A rare one of all of the girls together.  I hate the way Bimbo is drawn here and think she’s evolved, but everyone else looks pretty good.  I also love the fact that it’s completely low-rent and drawn on yellow lined paper…

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A sketch for the mysterious Platinum Assassin…also on sweet yellow lined legal pad!

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An older (but respectable enough) character design sketch of Evil Catholic School Girls (from left: Mary Jane, Mary Pat, Mary Rose).  They’re one of my favorite villains for the series…

I’m sorry to keep pouring on the teasers…there really is an actual project in your future dear readers (I swear) but I’m still (yes, still) hip deep in novel revisions, but as soon as I can get clear prepare for the deluge…!

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I thought you guys might enjoy a teaser sketch for a drawing I’m working on for a Jilted League “Villains Line Up”.

Here we have, from left to right:  ‘The Mos”; Evil Catholic Schoolgirls (Mary Jane, Mary Pat, Mary Rose); MCP aka Male Chauvanist Pig; and The Supermodel and Regular Model.

There are three more pieces to this sketch so far…if you ask nicely maybe I’ll post them in the coming days.  Who knows how long before the final (yes, with color!) drawing goes up.

And please, let’s not hassle me about the fact that all their feet are a bit cut off.  It’s partially the scanning, and it’s partially I’m always bad about getting the feet to fit on completely the page when I sketch…but Adam’s already given me enough crap for that to cover you all…

Have a great weekend everyone.

Best American Comics 2008

ELEANOR DAVIS is the 1979 Semi-Finalist’s ARTIST OF THE WEEK.  I came to Davis’ work actually through her boyfriend and often partner in crime, artist Drew Weing, whose journal comics were one of the original inspirations for me trying out journal comics myself, and who will be featured as Artist of the Week on his own sometime soon.  I wanted to write about Davis now though because every time I look up I seem to be seeing more of Davis’ amazing illustration and comic book work. I don’t think I could get away from her if I tried – not that I ever would.

She recently illustrated the cover to The Best American Comics 2008 (see above) and she is constantly popping up in Mome a collection Adam and I both love that is always full of the best independent comic work out there.  Her amazing Seven Sacks, featured in Mome’s Spring 2007 issue is completely brilliant and as testament to its brilliance is also included in The Best American Comics 2008.

Seven Sacks

Excerpt From Seven Sacks

Davis has a unique style that is part horrible and disturbing and part playful and fun.  Some of what she draws is quite frankly the stuff nightmares are made of, but she draws it all in such a way that you can see there is so much more than nightmare there.  It’s almost like her work allows you to identify with the monster first and so seen from the monster’s perspective you can’t help but shrug your shoulders when you see what horrible things they might do…as if to say that horror is really all matter of perspective.  Her endpapers for Wide Awake 666 are a good example of this:

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See?  Hard to care…those monsters need to eat too, right?

Read the rest of this entry »

batman

Calling all Bat fans, Project: Rooftop has announced its latest contest, and it’s a good one…design the new Batman…Batman 2.0 if you will, for his most likely successor, Dick Grayson (aka Robin, aka Nightwing) after Bruce Wayne’s untimely (and lets hope non-permanent) recent demise.

Ready…steady…GO!

I am terrible at, and do not enjoy drawing men (even awesome Batmen) so I may have to not participate this time yet again, but I’ll definitely do some sketches and give it a try.  If anything remotely interesting comes out of it I’ll post…promise.

blue-deer

I got the most amazing holiday cards this past year, and just wanted to share the beauty since everyone I sent to should have received them by now. I found the cards rather randomly at a little online shop called ShopRedBean. I got three or four different designs – mostly the two awesome reindeer designs on the site and was exceptionally happy. They weren’t cheap, but somehow I never manage to get cheap cards…despite efforts to the contrary.  I got more compliments on my cards this year than I ever have before…which is pretty cool.

Because the cards and envelopes are square, they require extra postage for the “irregular shape”, which gave me an excuse to use custom stamps.  I had a custome 62 cent stamp made from a piece of the 1979 Semi-Finalist header/logo above. I have to say, that turned out to be my favorite part of the process. And I’ve got some left over, so that will make mailing a little bit more fun…at least for awhile.

I hope everyone had a great holiday – and apologies if you didn’t get a card…I probably didn’t/don’t have your address. :)

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Just in time for the holidays I bring you our new Artist of the Week, REBECCA HAHN.  Full disclosure, Rebecca is a good friend of mine, but I think from looking at the images I’ve featured here, you can see that I don’t need to be her friend to be wowed by her talent. 

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Rebecca works in a variety of mediums from illustration and mixed media assemblage, to jewelry and t-shirts.  She’s expanding her brand quickly, and has really been focused in the last two years on getting all kinds of product out there.  You can buy her work at her Rottobee Shop, or at BuyOlympia.com, and you can puruse, learn, and admire at her website and blog.   

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I think my favorite thing about Rebecca’s work is simply her style.  A piece by Rebecca looks like nobody else’s work – it’s absolutely a Rebecca, whether it be a necklace or an illustration for a magazine.  It’s an amazing thing as an artist to have style that is so cohesive.  In addition to Rebecca’s singular style is the fact that though on the surface her work appears clean and almost simple, there is incredible depth to her work.  This is particularly true in her assemblage works in which she uses all sorts of unique layering and even sewing techniques to create one of a kind artworks.  On her website for many of her assemblage works, if you scroll over piece you can also see a detail shot – a great new feature to her website. 

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I suppose really the greatest thing about Rebecca as an artist is that she is still affordable.  Original works at gallery shows are limited and more expensive, but on her website she has jewelry, t-shirts, prints, and cards all available for purchase at reasonable prices – and just in time for the holidays.  Get some before she becomes uber famous and the prices go through the roof 😉

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