ELEANOR DAVIS is the 1979 Semi-Finalist’s ARTIST OF THE WEEK. I came to Davis’ work actually through her boyfriend and often partner in crime, artist Drew Weing, whose journal comics were one of the original inspirations for me trying out journal comics myself, and who will be featured as Artist of the Week on his own sometime soon. I wanted to write about Davis now though because every time I look up I seem to be seeing more of Davis’ amazing illustration and comic book work. I don’t think I could get away from her if I tried – not that I ever would.
She recently illustrated the cover to The Best American Comics 2008 (see above) and she is constantly popping up in Mome a collection Adam and I both love that is always full of the best independent comic work out there. Her amazing Seven Sacks, featured in Mome’s Spring 2007 issue is completely brilliant and as testament to its brilliance is also included in The Best American Comics 2008.
Excerpt From Seven Sacks
Davis has a unique style that is part horrible and disturbing and part playful and fun. Some of what she draws is quite frankly the stuff nightmares are made of, but she draws it all in such a way that you can see there is so much more than nightmare there. It’s almost like her work allows you to identify with the monster first and so seen from the monster’s perspective you can’t help but shrug your shoulders when you see what horrible things they might do…as if to say that horror is really all matter of perspective. Her endpapers for Wide Awake 666 are a good example of this:
See? Hard to care…those monsters need to eat too, right?